A conversation with Paloma Bosquê and Alain servais on art as a meeting place for creation and cultural exchange.
If art is an exchange of energy, what does it mean to create art — or to collect it? How does art shape personal life, society, and our understanding of the world at large? This conversation brings together artist Paloma Bosquê and collector Alain Servais, moderated by Benedicte Goesaert, co-curator of the exhibition Energia: artistic presence in the Belgian–Brazilian landscape. Energia is TheMerode’s House of Exhibition, co-curated by Benedicte Goesaert and Kathleen Weyts in collaboration with GLEAN Magazine.
Bosquê will speak about her artistic practice, the works she presents in Energia, and her experience living and working between Brazil and Brussels, reflecting on how place, distance and cultural context shape her artistic language. Alain Servais, who has lent three works to the exhibition, will share the stories behind these acquisitions, his motivations as a collector, and his engagement with Brazilian contemporary art.
©Paloma Bosquê
Plate/Placa, 2025 (detail)
speaker
Paloma Bosquê lives and works between Brazil and Europe. Her research unfolds through an investigation of the materiality of bodies in constant transformation. Through a daily practice grounded in contact and intimacy with the materials that compose her sculptural vocabulary, Bosquê sees materiality as the result of the interaction between the many visible and invisible elements that consitute our surroundings.
Recent solo exhibitions have been held at Karin Guenther, Hamburg (2025); Mendes Wood DM, São Paulo (2024); Mendes Wood DM, Brussels (2022); Mendes Wood DM, São Paulo (2020); Blum & Poe, Tokyo (2020); Mendes Wood DM, New York (2019); Mendes Wood DM, Brussels (2018); Museu da Cidade, Lisbon (2017); Mendes Wood DM, São Paulo (2016); Pivô, São Paulo (2015).
speaker
Alain Servais is an art collector with a long-standing engagement in contemporary practices. A frequent traveller, he has focused on works that explore challenging themes such as the body, materiality, violence, racism, and mortality, with particular attention to video and new media.
Since 2000, the Servais Collection has been housed in an 1,800 m² industrial space known as The Loft, where a new exhibition is presented each year under a guest curator. The collection also supports an artist residency and lends works to institutions around the world.